Emby / How to Look at and Understand Great Art
01 - The Importance of First Impressions
02 - Where Am I Point of View and Focal Point
03 - Color—Description, Symbol, and More
04 - Line—Description and Expression
05 - Space, Shape, Shade, and Shadow
06 - Seeing the Big Picture—Composition
07 - The Illusion—Getting the Right Perspective
08 - Art That Moves Us—Time and Motion
09 - Feeling with Our Eyes—Texture and Light
10 - Drawing—Dry, Liquid, and Modern Media
11 - Printmaking—Relief and Intaglio
12 - Modern Printmaking—Planographic
13 - Sculpture—Salt Cellars to Monuments
14 - Development of Painting—Tempera and Oils
15 - Modern Painting—Acrylics and Assemblages
16 - Subject Matters
17 - Signs—Symbols, Icons, and Indexes in Art
18 - Portraits—How Artists See Others
19 - Self-Portraits—How Artists See Themselves
20 - Landscapes—Art of the Great Outdoors
21 - Putting It All Together
22 - Early Renaissance—Humanism Emergent
23 - Northern Renaissance—Devil in the Details
24 - High Renaissance—Humanism Perfected
25 - Mannerism and Baroque—Distortion and Drama
26 - Going Baroque—North versus South
27 - 18th-Century Reality and Decorative Rococo
28 - Revolutions—Neoclassicism and Romanticism
29 - From Realism to Impressionism
30 - Postimpressionism—Form and Content Re-Viewed
31 - Expressionism—Empathy and Emotion
32 - Cubism—An Experiment in Form
33 - Abstraction Modernism—New Visual Language
34 - Dada Found Objects Surreal Doodles and Dreams
35 - Postmodernism—Focus on the Viewer
36 - Your Next Museum Visit—Do It Yourself!